Tag: Sonoran Desert

  • Tucson’s Black Foodways and the Sonoran Desert

    Tucson’s Black Foodways and the Sonoran Desert

    Black American history is incorporated into the story of Southern Arizona in ways we don’t see in other cities. In the Sonoran Desert, Black life didn’t grow out of the big migration waves or the busy neighborhoods that influenced food in Chicago, the South, or Los Angeles. There were no rows of storefronts, no restaurant scenes built on being seen. Instead, in this arid landscape, where survival depends on resilience, Black communities adapted to the land, forming in small, often invisible ways.

    Black history in Tucson and throughout the borderlands starts with the Spanish colonial era, not the U.S. South. By the mid-1500s, Afro-Mexicans were living throughout the region, outnumbering white settlers, with Mexico ending slavery in 1829. After the Civil War, the Buffalo Soldiers stationed in Arizona remained and built lives there.  As time passed, Black Arizonaians entered the military, worked on the railroads, taught, and held civic jobs. Neighborhoods formed, as they often do, around churches, schools, and civic institutions.

    Enslavement under Spain was brutal, just like that of those bought and sold in the American South, but it operated differently. Spanish colonial slavery allowed for indentured servitude, wage earning, and migration freedom, so by the eighteenth century, many people of African descent in Mexico, then called New Spain, were living outside plantations or farms. Regarding food, cooking was done at home rather than along trade routes, unlike much of the Confederacy. In other words, they were tending their farms and livestock because they owned them. In Chicago and other northern Midwest cities, Southern recipes and traditions were sustained by churches, clubs, and restaurants that served as community gathering places. In the South, food came from working on plantations and farms.  Black cooking along the West Coast is part of a broader conversation, blending with Mexican, Central American, and Asian Pacific flavors.

    Black Buffalo Soldiers stand and sit near a military camp in the American Southwest in the early 20th century, surrounded by tents and arid landscape.
    Buffalo Soldiers at a military camp in the American Southwest, early 20th century. Public domain image, Library of Congress.

    In Tucson, Black life took shape through military service, particularly at Davis-Monthan Air Force Base, because the city is a service town—railroad jobs, education, and civic work—not through dense neighborhoods like Harlem or South Central. There was never a big soul food scene here. Instead, a blend of Afro-Mexican and Mexican cultures began to emerge, found in ingredients that could withstand the heat. The result is a mix that also draws from Indigenous culinary history, too, in what the desert grows and sustains.

    Importantly, the Tucson Black History Museum tells the story of Black culture in Southern Arizona, weaving work, service, and the slow building of community, not through big culinary scenes.   Across the region’s churches, homes, and workplaces, the food stories told become part of everyday life rather than being celebrated publicly.

    Portrait of a Buffalo Soldier in U.S. Army uniform from the late 19th century, photographed in a studio setting.
    Portrait of a Buffalo Soldier, circa 1896–1899. Public domain image courtesy of the Smithsonian National Museum of African American History and Culture

    Preserved by the museum, a quote from a longtime resident, “You cooked what you could get here, not what you remembered from somewhere else. The desert decided a lot of that for you.”

    The other night, I cooked cod with garlic, butter, lime, and chiltepín. I used what I had on hand, which I thought might honor those before me. I served the pan-roasted fish with quinoa, roasted cabbage and green onion. It’s a Borderlands meal, but the ingredients might show up in Black kitchens in Borderlandia. Instead of vinegar or tomato sauce, lime provides acidity, shifting the flavors toward the Southwest. Chiltepín, native to this region, adds the heat. Quinoa can be used in place of sorghum or rice, though either would work.  The farmers-market cabbage and green onions, sautéed and mixed in, tie it together.

    These ingredients don’t match what you’d find in Chicago, the South, or Los Angeles, because life and farming are defined by the desert and what grows here. Everything in the Sonoran has to adapt to heat, to scarce water and to being resilient in the face of adversity.

    Paddle cactus at Mission Gardens

    Recipe

    Cod with garlic, lime, butter, and chiltepín

    Quinoa with charred cabbage and green onion

    Serves 2

    Ingredients

    2 cod fillets

    Olive oil

    Salt and black pepper

    2 tablespoons butter

    2 garlic cloves, smashed or thinly sliced

    1 lime

    Chiltepín, crushed, to taste

    1 cup cooked quinoa

    2 cups thinly sliced green or Napa cabbage

    2 green onions, sliced

    Roasted unsalted peanuts, chopped or crushed

    Instructions

    Begin by cooking the quinoa, then set it aside. 

    Heat a wide skillet over medium-high heat with olive oil. Add the cabbage and let it sit undisturbed for a minute or two, until it starts to char. Stir, add the garlic, season with salt, and cook until tender, with browned edges. Remove from the heat and fold into the quinoa, along with the green onion and peanuts, if using. Finish with lime zest, a small squeeze of lime juice, and salt to taste. Set aside.

    Pat the cod dry and season with salt and pepper. Heat a skillet over medium-high heat with olive oil. Add the cod and cook without stirring for approximately 3 minutes, until lightly browned. Flip, add butter and garlic, and baste the fish for another 1 to 2 minutes as it finishes cooking. Remove from heat and finish with lime juice and a pinch of crushed chiltepín.

    To serve, spoon the quinoa and cabbage mixture onto the plate and place the cod on top. Drizzle some of the spicy butter and lime sauce over the fish. 

  • Milk-Braised Carnitas: Born in the Sonoran Desert

    Milk-Braised Carnitas: Born in the Sonoran Desert

    I’ve made carnitas in every city I’ve called home, always riffing on a San Francisco Chronicle recipe: pork, aromatics — cloves, cinnamon — some citrus, a little heat, and slow-cooked until it falls apart. Most people crisp the meat in oil or bake it after shredding, but I usually just leave it in the braising liquid and pull it apart. Moving to Southern Arizona changed that for me. I started to see how many versions of carnitas belong to the Borderlands, each one telling a different story of history and its place in it.

    Along this 378-mile stretch of border, from California to New Mexico, ingredients document memories of their location, from climate to use to migration. Even a dish as familiar as carnitas raises more questions once you pay attention to its components.

    I came across a version of carnitas braised in milk. It’s a technique I’d always thought of as French. So how did milk-braising find its way into Mexican cooking? And who gets to say whether it’s authentic or not?

    Even as I seek out meaningful conversations about food, that question remained with me. One of those talks turned out to be a lesson I wasn’t planning to learn. Or, maybe I knew I would. I’ve seen it before.

    Authenticity, Permission, and a Closed Door

    After the holidays, I decided to reframe a cookbook I was working on around immigrants. And since I moved to the Sonoran Desert, I wanted to focus on this historic region. I was recommended to speak with someone — a Midwest academic — known for their knowledge of Indigenous cooking and farming. More scholastic and less homey. More explanation than trying to expand the actual use of ingredients and how to use them in a pie or noodle dish. In less than a full five-minute conversation, this educated man of many letters, who claims the region as his adopted home, slammed the door. His words: “I don’t want to dumb it down.”

    It wasn’t so much a conversation as a “see what I’ve done” and “I should be recognized for bringing this to the world.” He mentioned his cookbooks and how long he has been bringing this knowledge to others. He stated that he grows some of the ingredients and sells them as part of his business. I realized it wasn’t about food at all, but that he had an arrogance in wanting to give me permission: In other words, I was supposed to listen to his answers to the questions I wanted to ask, and I was to stay in a lane that he controlled.

    It wasn’t so much a conversation as a “see what I’ve done” and “I should be recognized for bringing this to the world.” He mentioned his cookbooks and how long he has been bringing this knowledge to others. He stated that he grows some of the ingredients and sells them as part of his business. I realized it wasn’t about food at all, but that he had an arrogance in wanting to give me permission: In other words, I was supposed to listen to his answers to the questions I wanted to ask, and I was to stay in a lane that he controlled.

    It was as if these foodways and history, built on centuries of survival — long before he wrote a book and became the self-appointed guardian — were meant only for the privileged few who used ingredients such as mesquite or chiltepin according to his God-like instructions. It made me think about how power works. Even with the best intentions, these keepers protect the culture and believe they own the traditions.

    I don’t think you need credentials to cook. You can certainly have them, and even get degrees in culinary programs, such as a PhD in gastronomy or food & beverage management. But I don’t think caring and storytelling need permission. Tradition only survives because people keep cooking at home with family and loved ones. Adaptation comes over time. Recipes continue to stay alive because they’re savored and eaten, not because they’re locked away or put on display for approval. And chefs, cooks and writers can be creative with whatever they want.

    For me, making pork braised in milk was not about proving authenticity. It’s a recipe born in a region where these ingredients resided, and someone said, “Let’s use this before it goes bad,”-a type of humility food earned by being well-made with quality ingredients accessible to all, not by being defended.

    Why Milk-Braised Carnitas Belong Here, and How I Make Them

    Milk-braised pork isn’t pulled from nowhere. Dairy appears differently in northern Mexican cooking than farther south, shaped by ranching, the climate and, of course, history. Milk isn’t foreign to the Sonoran region, but it’s not native either. It’s existed for centuries, and now, it’s become part of the cuisine. When pork simmers gently in milk, the meat softens deeply, the liquid reduces and caramelizes, and the dish moves naturally from braise to fry.

    For this version, I keep things simple on purpose

    Sonoran Milk-Braised Carnitas Recipe

    INGREDIENTS

    • 3 pounds pork shoulder or butt, cut into large chunks
    • 1 tablespoon kosher salt
    • 2 tablespoons lard or neutral oil
    • 1 orange, peeled and pith removed
    • 1 teaspoon freshly ground black pepper
    • 1 teaspoon crushed Mexican oregano
    • 2 bay leaves
    • 3-4 garlic cloves, smashed
    • 1 medium onion quartered
    • 1/4 teaspoon crushed chiletepin pepper or red pepper flakes
    • 2 cups whole milk or more.

    Cook this up:
    Season the pork generously with salt, pepper, and oregano.

    Heat up the lard or oil in a wide, heavy-bottomed pot or Dutch oven. Gently place seasoned meat and lightly brown, no more than a minute or two. We aren’t browning, we are preparing it for the braising. Once done, add the bay leaves, garlic, and onion. Stir for a minute or so.

    Pour in the milk. It should reach halfway up the meat. Add in the orange peel. Bring the pot to a gentle simmer over medium heat.

    Turn the heat to low and cook uncovered, stirring occasionally, for about 2 to 2½ hours. As the liquid reduces, the milk will begin to caramelize and separate, as expected. Watch carefully. (I like to set a timer on repeat in 15-minute intervals. It sounds far more labor-intensive than it actually is. You are making sure the liquid doesn’t evaporate too quickly.) The meat will brown and continue cooking until the liquid has fully reduced — you might need to add a little more milk depending on how the heat — and the pork begins to fry gently in its own rendered fat.

    Stir and turn the pieces carefully, allowing them to brown evenly. Cook until the pork is deeply tender with crisped edges, about 20–30 minutes more. Taste and adjust seasoning. Serve as desired — I like it as tacos with crema, pickled red onions, cilantro, thinly sliced radish and crumbled queso fresco.

    Eat well.

  • Discovering Flavor and Community in Tucson

    Discovering Flavor and Community in Tucson

    What We Eat When We Move

    A view from my backyard.

    When you pack up your life and start over somewhere new, you think about the job, the weather, the cost of living, and finding a community. When Nick and I moved to Tucson, a city framed by the Sonoran Desert and celebrated for its food culture, I didn’t expect to miss my grocery store so much.

    After six years in Indianapolis, I knew where to buy the best gluten-free baked goods (Gluten Free Creations), which great butcher (Moody’s) to buy meat, and which farmers market stand (Warfield Cottage) sold the best greens. Moving to Tucson meant trading the Midwest’s cornfields for the desert’s cactus, and where much of the food is born of Mexican and Indigenous ingredients, even an easy meal of rice and beans felt like an introduction to another language.

    There is no doubt that moving from one state to another changes the way you eat. In Indiana, I cooked broths and experimented with braising, especially during the fall, winter and early spring, eating warm, stewy dishes. Here, I think more about citrus, chilies, and beans. Dinners are full of flavors that make up the region: mesquite, nopales, prickly pear, and the “three sisters” comprised of corn, beans, and squash. Now our pantry will be stocked with dried chiles and freshly made corn tortillas, replacing the hoarded Red Gold pasta sauce of my Hoosier days.

    The four sauces: I think they are meant so customers can try them.

    The relocation isn’t only about ingredients; it’s about discovering a community. For Nick and me, it’s how we find and make friends. In our first week in our new home, we joined our next-door neighbors, Greg and Colleen, at La Frida’s Mexican Grill, a charming, well-designed spot located on East 22nd Street with a painterly mural honoring the late artist. The meal started with a basket of chips and — surprise — jalapeño crema (instead of salsa) for dipping, touched with habanero. Zesty, rich, and impossible to stop eating. Alongside it came an additional four sauces to try: salsa verde, black refried beans, a smoky coloradito, and a deep, chocolatey mole. The chef, originally from Hermosillo, cooks with an appreciation for her birthplace and presents dishes in a hearty, picturesque manner: deep browns, rich greens, and sauces with royal crimson overtone. We had a variety of dishes, but the quesabirra, historically from Tijuana and developed by the region’s taqueros, had that buttery crunch with tender meat, salty creaminess from the cheese and that rich flavor from the consommé for dipping. The corn ribs, quartered and eaten off the cob, smeared with cotija, were a reminder of how delicious street food can be. We arrived at 4:00 p.m. and by the time we left two hours later, it felt like the whole of Tucson was waiting for a table.

    Quesabirria at La Frida's.

    In every move I’ve made — Los Angeles, San Francisco, Irvine, Palm Springs, New York City, Indianapolis, now Tucson — I’ve learned that the fastest way to feel at home is through its restaurants and markets. Each city teaches you its flavors, and Tucson shows the earthiness of Sonoran wheat tortillas, the char on a roasted green pepper, and the comfort of beans simmering away on the stove. These are image postcards tattooed into my memory banks that will last longer than any logo t-shirt ever will. Indeed, Tucson’s UNESCO City of Gastronomy status only reinforces the idea that what we eat tells the story of who and where we are.

    In the freezer, there’s still a loaf of gluten-free bread from Native Bread Company in Indianapolis. I slice and toast it on mornings when I miss the Midwest. It’s that heady scent of bread, with a smear of local prickly pear jam bridging my recent past to today in a way no moving truck can.

    What we eat when we move isn’t just about adapting to a new market or menu. It’s about creating continuity. The table’s location may change, but the act of sitting down, of being fed and feeding others, remains constant.

    But in a short time, here in the Old Pueblo, I’ve found that the desert’s vastness, beauty and indigenous ingredients are finding a way into my kitchen. As I’ve said before, moving isn’t about leaving something behind. It’s about eating and discovering what’s next.

    Chips and jalapeno crema

    Recipe: Prickly Pear and Lime Agua Fresca

    Makes 2 quarts

    • 2 cups prickly pear puree (fresh or bottled)

    • Juice from 3 limes

    • 4 cups cold water

    • 2 tablespoons agave syrup (more to taste)

    • Dash of sea salt

    Whisk or blend all ingredients until smooth. Taste and adjust the sweetness. Chill for at least 30 minutes. Serve over ice with a sprig of mint or a lime slice. While this is a simple beverage, it tastes like the Sonoran Desert, which I think of as being bright, sweet, and restorative. If you’re feeling festive, add a touch of rum, tequila, or vodka.

    The End. Go eat.

    A mural of the restaurant's namesake. on the back wall.